I have another couple of moulds for this shape I will try another method of casting them with the other billet and a half of clear and jage green I have left to see what different effects I can get.
I have already started cold working this piece getting the excess cut off and flat bedding the surfaces at 120 and 220 grits, I would like to get this to a finely polished standard so I get more practice for future pieces. And i wrote in my proposal that I would need to practice my pollishing skills.
Viralap
After a couple of days of hand lapping I started to lose the feeling in my hands and the will to live so I inquired to the use of this little piece of kit, the Vibralap. It's like a flat bed but you leave your piece of work on it and it grinds the surfaces down for you, but it takes a lot of time. I had gone through the grits 120, 220, 320 and started on 400 but for some reason it was taking ages to get all the permanent pen cross hatching off (you cross hatch with a permanent pen or using a china graph pencil so you can tell when you have ground the layer back to a flat surface) I think it's because I started using a different sheet of glass than I had the day before so one of them mush have been ground down too much in one spot making the sheet uneven. So I set up the vibralap, it needed to be level so the bottom of it was propped up in places and the legs adjusted while a spirit level was sat on top so I could tell when it was level moving it around occasionally to check the whole thing was level. Next I needed to clean off the bed that the glass
Casting Billets (Second Attempt)
It's not that I don't like the other piece, it's just not how I thought it might look. So I'm going to try popping the billets straight into the mould. I have been told that with this method I will be able to see a seem between the two layers of glass, but you might be able to make them blend together the two colours the longer you hold the kiln at the top temperature. I'm going to use the same kiln program as I did for the first piece as it seemed to cast quite well, I shouldn't have to hold this as long because it hasn't got a resiwar to flow through but the longer time might help the colours blend. Again I have used a billet and a half to cast with and like the other there will be excess which is a shame. It might be worth trying with the gaffer frits at some point so that I don't end up with as much waste.
Here is the kiln program I used:
50 ⁰C/hr → 500 ⁰C → Pass hrs
Full ⁰C/hr → 830 ⁰C → 3.00 hrs
100 ⁰C/hr → 600 ⁰C → Pass
15 ⁰C/hr → 440 ⁰C → 4.00 hrs
10 ⁰C/hr → 360 ⁰C → Pass
20 ⁰C/hr → 310 ⁰C → Pass
50 ⁰C/hr → 21 ⁰C → Pass
End
Full ⁰C/hr → 830 ⁰C → 3.00 hrs
100 ⁰C/hr → 600 ⁰C → Pass
15 ⁰C/hr → 440 ⁰C → 4.00 hrs
10 ⁰C/hr → 360 ⁰C → Pass
20 ⁰C/hr → 310 ⁰C → Pass
50 ⁰C/hr → 21 ⁰C → Pass
End
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